Course details
Duration
Two years
Delivery
Online and part-time
Start dates
January and September
Next welcome week
20 January 2025
Next course start date
27 January 2025
Application deadline
10 January 2025
Total course fee
£9,900
Course overview
Why tell your stories or make your films in the same way as everyone else? Realise your ambitions while exploring new filmmaking approaches in the context of an international learning community that champions research driven experimentation and peer feedback.
The online MA Film Practice is your opportunity to explore the creative depths of filmmaking as an art form.
You’ll be encouraged to challenge established, mainstream modes of filmmaking and think critically about how your work responds to the contemporary world. Through this course, you’ll build an expansive understanding of film, its audiences, and the many contexts in which it can be presented.
With our support, and in conjunction with other students, you’ll get to research areas of interest while putting your knowledge into practice. You’ll actively expand your body of work and professional skill set through a series of structured creative projects, collaborative activities, critical self-reflection, and bespoke mentorship.
By the end of the course, you’ll emerge as a reflective and critically engaged film practitioner with the capabilities needed to innovate in the evolving fields of film production and exhibition.
Course units
The units within this course have been designed to develop your voice and vision as a creator. Together with our academics, you’ll develop your practice while building your understanding of filmmaking concepts and techniques, as well as the wider creative industries. You’ll master distinct processes of making, thinking, and reflecting through a series of short practice-led research assignments leading to a final thesis project.
In this introductory unit, we’ll help you evaluate your experiences and knowledge to further inform your creative development. You’ll position your practice, establish or reinforce a critically informed grounding in filmmaking, and start a reflective journal practice to support your studies.
During this unit, you’ll develop new working methods and specialist techniques to enhance your practice. You’ll consider the contextual factors that shape your filmmaking, and get to experiment with different creative approaches to strengthen your practical abilities.
This unit will help you gain the expertise necessary to analyse film as an art form. We’ll explore different styles and forms of moving imagery, the history of creative techniques, contemporary developments in film theory, philosophical perspectives, and more.
Together, we’ll look at the challenges and possibilities of performance and cooperation in filmmaking. This unit will encourage you to think about how your practice involves and relates to other people in order to expand your understanding of diverse creative techniques and produce culturally relevant work.
Co-lab is an interdisciplinary unit that focuses on discovering collaborative ways of working and exploring new areas or creative approaches outside of your comfort zone. You’ll learn how to engage with ideas and processes that are unfamiliar to you and consider how your work is impacted by the contribution of others.
This unit will help you understand how to apply research and specialist practical techniques to inform and support the construction of narrative in your filmmaking. We’ll investigate key concepts within film studies to help you consider structure, form and meaning in your work.
Your studies here will broaden your understanding of film’s cultural and political role in relation to the wider creative industries. You’ll look at how films are made in commercial and artistic environments: production, distribution, marketing processes, and much more.
In this unit, we’ll focus on important issues around representation and ethics in filmmaking. You’ll be challenged to critically consider who you choose to work with at each stage of your film practice, how your present them, and the perspective from which your work is created.
The Thesis Film Proposal unit will guide your through the development process of your final project, giving you an opportunity to create and present your ideas and plans. Throughout the unit, we’ll support you in researching, conceptualising, refining, and planning your project.
As the final part of the course, this unit revolves around the creation of your individual, research-informed project – typically a fiction, documentary, experimental film or similar audio-visual artwork. You’ll also document the practical processes and produce a critical reflection.
Find out about fees and payment options
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Academic team
Karen Cunningham, Course Leader
Karen is an interdisciplinary artist working primarily with moving image. She has shown work nationally and internationally and her films have been commissioned by LUX moving image, Collective Gallery Edinburgh, and The Centre for Research Collections at Edinburgh University.
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Pamela Breda, Unit Leader
Pamela Breda is an artist, filmmaker and researcher working at the crisscross of visual arts and experimental filmmaking. She holds an MA in Visual Arts from IUAV University (IT), a PhD in Visual Arts from Kingston University (UK) and she is current senior postdoc at Angewandte University (Vienna, AT).
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Alex Fletcher, Online Tutor
Alex is a lecturer and academic based in London. In 2018 he completed a TECHNE/AHRC funded PhD at the Centre for Research in Modern European Philosophy, Kingston University, London, titled ‘Compilation and Critique: The Essay as a Literary, Cinematographic and Videographic Form’.
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Andrew McVicar, Online Tutor
Andrew McVicar is a filmmaker based in North Shields. His producing work has encompassed feature films made with various UK and international funders and partners, including Bypass (Venice Film Festival 2014), Light Years (Venice Critics’ Week 2015) & The Uprising (MoMA Docs 2014).
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Aikaterini Gegisian, Online Tutor
Aikaterini Gegisian is an artist filmmaker and researcher whose filmic and photographic collages, drawing on diverse image histories, interweave documentary, archive and found material, in examining the production of cultural and national identities.
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Mark Lyken, Online Tutor
Mark Lyken is a filmmaker and sound artist based in rural Dumfries and Galloway, Scotland. He is a self-shooting and editing filmmaker whose work is often the result of long-term collaborative, community engaged residencies across the UK and internationally.
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Entry requirements
We encourage applications from students with a broad range of qualifications and we welcome students from all educational backgrounds. We’ll take into account the knowledge and skills that you have developed outside the classroom, as well as your previous qualifications.
There are two different routes to entry: the standard and non-standard routes. Admissions staff will assess entries to determine which route is appropriate for you when you apply.
Students accepted on the standard route are given offers based on qualifications and supporting documentation alone. If you do not have a qualification at the designated level or in a subject not directly related to the course to which you are applying, you’ll be contacted to request a portfolio, and/or given an interview date.
You'll usually have a BA (Hons) degree graded at 2.2 or above, or an equivalent UK or international qualification in film or the following related subjects: animation, photography, fine art, or media.
You'll usually have BA (Hons) Degree graded at 2.2 or above, or an equivalent UK or international qualification in film or the following related subjects: animation, photography, fine art, or media.
As an overseas applicant, you’ll need to validate your proficiency in English. We accept a range of English language qualifications:
- Cambridge Certificate of Advanced English (CAE) grade C
- Cambridge Certificate of Proficiency in English (CPE) grade C
- Certificate of Attainment in English (London Board) level 5 or 6
- IELTS score of 6.0 or above with at least 5.5 in each band
- TOEFL iBT score of 80 or above with 19 in speaking, and 18 in listening, reading and writing
- Pearson PTE score of 64 and over, with a score of 59 in each component
IELTS, Pearson, and TOEFL scores must be less than two years old at the time the course commences to be valid.
Applications are also welcomed from those with other qualifications or with work which demonstrates appropriate knowledge and skills to study at postgraduate level.
Your application will be considered for entry if there is sufficient evidence to indicate that you have the potential to fulfil the objectives of the course of study and to achieve the standard of the final award.
Since this course is taught online, you’ll need access to equipment and software to carry out project work and undertake practical filmmaking activities independently.
Your equipment needs may vary depending on your career focus and the projects you take on, but our minimum recommendation is:
- a basic DSLR or mirrorless camera that’s able to capture HD video and allows manual control of image settings
- a sound recording device with an XLR microphone, though an onboard microphone attached to your camera will be adequate
- a laptop or computer capable of running editing software such as Adobe Premiere Pro or Davinci Resolve
Contact our Course Adviser team if you need any equipment suggestions, or if you'd like to discuss these requirements in more detail.
Take the first step to endless possibilities
How to apply
When you're ready to apply, you'll need to head to our online application form to apply directly to us.
We encourage applications from students with a broad range of qualifications – we'll take into account the knowledge and skills that you've developed outside the classroom as well as your previous qualifications.
Careers
The online MA Film Practice will prepare you for the next phase in your journey as a creator.
You’ll not only understand how to think outside of the box, but how to apply it to your craft and collaborations as well. Just as importantly, you’ll be able to analyse and appreciate the work of others, and hold a deeper understanding of filmmaking as a discipline.
Combined, these skills will allow you to pursue a number of roles, such as:
- independent filmmaker
- documentary filmmaker
- artist filmmaker
- producer or production coordinator
- freelance film industry roles (assistant director, cinematographer, editor, sound designer)
- film researcher
- cinema or festival programmer
- lecturer and other academic roles.
Progression for graduates
Learn more about the careers available to you as an MA Film Practice graduate in this video.
AUB MA student work (on-campus)
Join us in January 2025
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Read the storyVideo transcripts
AUB Film Practice Careers Video – Transcript
[upbeat music plays throughout]
MA Film Practice Careers
Careers and opportunities for graduates
The MA Film Practice programme will help you to think outside the box, explore new ideas, techniques and directions in your creative work.
You’ll be able to analyse and appreciate the work of others, and hold a deeper understanding of the disciplines involved in filmmaking. The skills you learn on the course will enable you to pursue a number of roles, including…
Independent Filmmaker
You could turn your talents to creating independent films. As part of this, you could take on tasks from budgeting, scripting and casting, to production, post-production, and managing distribution and exhibition.
Documentary Filmmaker
Documentary film jobs can cross both independent and commercial sectors. In this field you could explore a range of areas including ethnographic, wildlife, unscripted/reality, and interview based projects.
Producer or production coordinator
A producer in film will oversee all production elements from conception to completion. You'll work closely with directors and other production staff to ensure the success of a finished film.
Freelance film industry roles
The skills you'll learn on your course make you well-suited to freelancing in the film industry. Roles could include assistant director, cinematographer, editor, or sound designer.
Film researcher
Also called a media researcher, this position involves conducting research for film or TV projects. Typical tasks include collecting and verifying both factual and picture information to ensure its accuracy.
Cinema or festival programmer
Programmers curate content for film festivals or theatres typically based off audience research, and considering the vision of the organisation. You may work with artists, organisations, and communities, to help shape projects.
Lecturer and other academic roles
MA Film Practice graduates would be well suited for pursuing a career in teaching or film-based academia. Passionate filmmakers can choose this route to support the next generation of creators.
We’re a creative community
Arts University Bournemouth Online is committed to helping students everywhere turn their talent into careers. As one of the top ranked specialist art and design universities in the UK, you can trust that you’ll have us by your side as you head into this exciting new chapter.
Want to learn more?
We're here to help. If you have any questions about our online, part-time MA in Film Practice, get in touch with a course adviser.
- +44 1202 122 883
- info@studyonline.aub.ac.uk
Start your creative journey here.
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